“Who also declared unto us your love in the Spirit.

For this cause we also, since the day we heard it, do not cease to pray for you, and to desire that ye might be filled with the knowledge of his will in all wisdom and spiritual understanding; That ye might walk worthy of the Lord unto all pleasing, being fruitful in every good work, and increasing in the knowledge of God; Strengthened with all might, according to his glorious power, unto all patience and longsuffering with joyfulness; Giving thanks unto the Father, which hath made us meet to be partakers of the inheritance of the saints in light: Who hath delivered us from the power of darkness, and hath translated us into the kingdom of his dear Son: In whom we have redemption through his blood, even the forgiveness of sins: Who is the image of the invisible God, the firstborn of every creature: For by him were all things created, that are in heaven, and that are in earth, visible and invisible, whether they be thrones, or dominions, or principalities, or powers: all things were created by him, and for him: And he is before all things, and by him all things consist.

And he is the head of the body, the church: who is the beginning, the firstborn from the dead; that in all things he might have the preeminence.

For it pleased the Father that in him should all fulness dwell; And, having made peace through the blood of his cross, by him to reconcile all things unto himself; by him, I say, whether they be things in earth, or things in heaven.”

‭‭Colossians‬ ‭1:8-20‬ ‭KJV‬‬

https://www.bible.com/1/col.1.8-20.kjv

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Rembrandt van Rijn (and Workshop?)

Rembrandt van Rijn

Dutch, 1606 – 1669

Anonymous Artist

The Apostle Paul

c. 1657

oil on canvas

https://www.nga.gov/collection/art-object-page.1198.html

overall: 131.5 x 104.4 cm (51 3/4 x 41 1/8 in.)

framed: 177.8 x 150.5 x 13.3 cm (70 x 59 1/4 x 5 1/4 in.)

Widener Collection

1942.9.59

On View: West Building, Main Floor – Gallery 48

OVERVIEW

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden. Around 1632 he moved to Amsterdam, quickly establishing himself as the town’s leading artist, specializing in history paintings and portraiture. He received many commissions and attracted a number of students who came to learn his method of painting.

Throughout his life Rembrandt was fascinated by the apostle Paul, perhaps because Paul’s writings were the most important source for Reformation theology, or perhaps because he personified the Christian ideal of grace received independently of merit. Sitting at a table in his prison cell, the apostle ponders the words he is about to write in the epistle that lies before him. The solemn expression of Paul’s strong features underscores the depth of his belief and sense of purpose in his mission to spread Christianity to the heathens. The sword visible above the book is as much the “sword of the Spirit,” the term he used to describe the word of God in his letter to the Ephesians, as it is the symbol of his military prowess before his conversion and the sign of his eventual beheading and martyrdom. The gentle light that illuminates Paul’s head, hand, and epistle has no defined point of origin. By depicting Paul at half length rather than full length, Rembrandt has brought the viewer closer to the figure of the saint, whose intensity of expression is keenly felt.